Highlights
- Shiro Sagisu, composer of the Bleach soundtrack, expertly utilizes diverse styles and vocal tracks to enhance the story’s emotions.
- Sagisu’s use of Spanish guitar and German anthems reflects the European influences on the Espada and Wandenreich factions.
- Bleach’s music selection, from iconic themes like “Number One” to eerie piano tracks, elevates the series’ most memorable moments.
As a gamer with a penchant for anime and a deep appreciation for music, I can wholeheartedly attest to the outstanding musical journey that Bleach has provided us over the years. The soundtrack, composed by the legendary Shiro Sagisu, is nothing short of genius, and it’s become an integral part of my gaming life.
In conversations about the anime series Bleach, it’s generally acknowledged by both fans and non-fans alike: The music in Bleach is exceptional. With a diverse range of opening, ending songs, and an original soundtrack, Bleach offers a unique blend of sounds. You can easily pick up the soothing tones of piano, strings, or even a sudden Spanish guitar or German chorus. What sets Bleach apart is its extensive use of different music genres tailored to each character or faction in the storyline.
The Bleach soundtrack is nothing short of genius, and it has become incredibly popular and iconic. Everyone knows tracks like Ichigo’s personal theme, Number One, the Espada’s La Distancia para el Duelo, and Sousuke Aizen’s Treachery. But who composed this amazing soundtrack, and what’s the in-universe reason for the styles heard in the series?
Shiro Sagisu, From Terrifying Mechs to Death Gods
The Man Behind the Music
Shiro Sagisu, a renowned composer, is the mastermind behind the Bleach soundtrack. He boasts an impressive portfolio spanning both anime and his solo work. Prior to Bleach, Sagisu gained recognition for his exceptional work on Neon Genesis Evangelion. The music he composed for Evangelion is easily identifiable due to its chilling and ominous atmosphere, as demonstrated in the track “Marking Time, Waiting For Death”, which transitions into cheerful tones such as Misato’s theme. His poignant piano piece, “Rei I”, also showcases a melancholic tone.
On Neon Genesis Evangelion, Sagisu skillfully showcased versatility across various musical styles, each evoking distinct emotions. He masterfully created a haunting and introspective mood for the series, while amplifying fearsome scenes with the intense “The Beast II”. Piano was his primary instrument, but he expertly employed strings to produce spine-tingling melodies. Vocals were integral to his compositions, adding a unique layer that set them apart from other soundtracks. He often collaborated with gifted vocalists capable of capturing the essence of each piece. Notably, all vocal tracks in Evangelion are sung by women, reflecting the significant role of female characters in the series.
In the process of creating music for Bleach, Sagisu skillfully blended a variety of musical styles and emotions to reflect the show’s broad emotional spectrum, which swiftly transitions from humor to profound emotional scenes. This knack for vocal tracks that he honed in Evangelion was vividly demonstrated in Bleach, most notably with the hit single “Number One”, sung by Hazel Fernandes. This song effectively captures Ichigo’s character, embodying the essence of our heroic protagonist perfectly.
In a skillful manner, Sagisu flawlessly employed the piano in his compositions, creating emotionally resonant pieces like “Here to Stay”, “Torn Apart”, and the masterwork “Soundscape to Ardor”. Notably, he incorporated more vocal tracks, with “Number One” being one example, while songs such as “Nothing Can Be Explained” are frequently linked to Old Man Zangetsu. This track, marked by its otherworldly sounds, captures the enigmatic and mournful atmosphere surrounding Zangetsu and Ichigo’s inner world. Rukia was given her own theme, “Never Meant to Belong”, which reflects Rukia’s internal strife and sadness as she navigates her journey towards healing. This track underwent a transformation in the Thousand-Year Blood War arc, now featuring beautiful vocals, and was used to enhance Rukia’s Bankai and symbolize her personal growth. Lastly, “Treachery”, another vocal piece, encapsulates the feeling of Sousuke Aizen’s deceit and his malicious intentions.
The Different Styles of Bleach
Spanish guitars and German Military Anthems
In Bleach, the Spanish guitar often evokes memories for fans when they think about the music, particularly in the Arrancar Saga. The iconic “Clavar La Espada” and other tracks like “Nube Negra” are synonymous with the Espada characters, such as Ulquiorra Cifer and the general team members. This is because the composer, Sagisu, designed a Flamenco-style soundtrack for the Espada, reflecting their Spanish origins in Bleach, created by Tite Kubo. The Soul Reapers, on the other hand, have Japanese roots, but the Espada are named after European architects and their powers are given Spanish names. The exception to this pattern is Grimmjow Jaegerjaquez, whose theme, “Power to Strive,” deviates from the Flamenco style, featuring industrial heavy rock and strings. This could be due to Grimmjow’s name having a more German influence.
As the Thousand-Year Blood War commences, when the Wandenreich enter the scene, they are accompanied by strong and foreboding military tunes. This is due to the fact that the Wandenreich is patterned after the 1940s Third Reich, so their names, abilities, and music possess a German theme, similar to how the Espada have a Spanish influence. Although the Wandenreich’s music incorporates numerous vocal parts, the lyrics are not in German but English. However, they all share a grandiose choir reminiscent of military propaganda.
Shiro Sagisu is known for creating the remarkable soundtrack that fans connect with iconic battles and scenes from Bleach. An artist skilled across multiple genres and arrangements, he consistently elevates the epic narrative of the series, Bleach.
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2024-07-31 20:04