As a film enthusiast with a rich tapestry of experiences under my belt, I must admit that I have always been hesitant towards science fiction. However, Tabu’s performance as Bene Gesserit Sister Francesca in HBO’s Dune: Prophecy has opened my eyes to a whole new realm of storytelling.
Tabassum Hashmi, or simply Tabu, didn’t identify as a fan of science fiction when she was chosen for the role of Bene Gesserit Sister Francesca in HBO’s series Dune: Prophecy. However, as Tabu shared with Game Rant, Dune doesn’t seem like a typical science fiction tale.
Instead of delving into technical and mechanical aspects, the Dune series, including Dune: Prophecy, primarily explores characters and their relationships. This lends a profoundly human touch to the stories, which Tabu finds captivating.
Dune Stories Are Not Just Scientific, But Human And Relatable
In the final stretch of “Dune: Prophecy’s” initial season, Tabu made an appearance as Sister Francesca – a potent Bene Gesserit wrestling with her allegiance to the Sisterhood against her heartfelt affection for Emperor Javicco Corrino. Upon instructions from Mother Superior Valya Harkonnen, Francesca returns to court and rekindles her relationship with Javicco as well as her son Constantine. Yet, she grapples with the obligations Valya imposes upon her, which is one of many profound human narratives that “Dune: Prophecy” explores. This complex storyline was what attracted Tabu to the character.
When I watched “Dune”, the actress shared that she was amazed to discover how a science fiction subject could feel so un-sci-fi…There was a purpose behind making it relatable. “Dune: Prophecy” and the original “Dune” novels focus on characters and their relationships. In “Prophecy”, the story revolves around Valya and Tula Harkonnen’s sisterhood, their connections to House Harkonnen, and the intricate emotions of love, obligation, annoyance, and fear that entwine the royal family, including Emperor Javicco, Empress Natalya, Princess Ynez, Constantine, and, ultimately, Francesca.
Dune Differs From Other Science Fiction Stories Both Narratively And Visually
Tabu noted that in contrast to other science fiction media like Star Trek and Star Wars: Return of the Jedi, Dune is uniquely distinct. In fact, she mentioned that Dune is rarely categorized as a primary science fiction series by its followers when discussing it and its fan base.
Dune isn’t like typical science fiction films such as Star Trek or Return of the Jedi; instead, it’s a movie with its unique narrative. In fact, people often forget that it’s sci-fi at all. Yet, despite being set in space, it presents the universe and planets in a distinctly different way.
As a movie enthusiast, I must admit that Dune is not just about its intricate technical aspects; it transcends the ordinary boundaries of science fiction. The novel delves deep into the workings of the Fremen stillsuits, which miraculously extract water from one’s body, or the training and utilization of Mentat and Bene Gesserit powers. Yet, Dune doesn’t feel like a machine-crafted sci-fi tale. Perhaps it’s because the spice mined from Arrakis is not just a simple resource; it’s a mysterious, multifaceted substance that remains enigmatic to many who covet its power.
Tabu also pointed out that both “Dune: Prophecy” and Denis Villeneuve’s “Dune” movies stand out visually compared to typical sci-fi films due to their emphasis on character interactions rather than high-tech elements such as spaceships. “Dune: Prophecy,” a political series with few epic battles and limited sandworm appearances from Arrakis, serves as a striking demonstration of this. Although it is a science fiction production, it delves into the profound themes of two sisters whose lives are transformed by their brother’s death, two lovers rekindling their relationship after many years apart, and the exploration of what it means to be part of something greater than oneself—be it the Galactic Imperium, the Bene Gesserit Sisterhood, a rebellious movement, or any other entity.
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2024-12-22 22:23