Key Takeaways
- The Penguin series sets a new standard for self-contained storytelling in the DC Universe.
- Both the DCU and MCU aim to deepen character exploration through standalone shows.
- Marvel should consider focusing on self-contained stories to engage audiences without relying on big cameos.
As a seasoned gamer and long-time fan of both DC and Marvel universes, I’ve seen my fair share of ups and downs, crossovers, and standalone stories. The recent HBO Max series, “The Penguin,” has truly impressed me with its self-contained storytelling, a trait that Marvel could learn a thing or two from.
With the conclusion of the initial (or sole) season of “The Penguin“, it’s now appropriate to assess its quality, achievements, and what lies ahead for viewers. Certainly, some of the drama from the HBO Max series will undoubtedly continue in “The Batman Part 2“. For instance, Oz Cobb has ascended to the position of Gotham’s crime boss, a role previously held by Carmine Falcone. The Penguin now wields power over the underworld in the city, and this shift in his status will likely be mirrored in the next film, even if he isn’t the main antagonist in the storyline.
As a dedicated gamer and avid follower of both the DC Universe (DCU) and Marvel Cinematic Universe (MCU), I can’t help but notice the remarkable difference in character development between the two. While the narrative threads and characters from The Batman Part 2 are expected to continue, it remains a mystery how. However, there’s one aspect that The Penguin nailed in the DCU that Marvel should take note of for its upcoming MCU installment.
DC Is Doing It Right
It’s clear that DCU has hit the mark with its standalone series, as demonstrated in both The Penguin and Peacemaker thus far. Despite their stark differences in tone and storyline, they share a significant commonality. While The Penguin is grounded in reality, Peacemaker delves into a world reminiscent of comic books, featuring alien invasions, superpowered characters who can fire blasts and even float.
| Showrunner | Lauren LeFranc |
|---|---|
| Stars | Colin Farrell, Cristin Milioti, Rhenzy Feliz, Deirdre O’Conell, and Clancy Brown |
| Episodes | 8 |
| Release Date | September 19, 2024 |
| Streaming On | HBO Max |
In essence, the common element tying these shows together is their self-contained nature. It appears that Marvel should learn from this approach before launching a new series. Instead of relying on popular characters like heroes or villains to draw viewers, both shows focus on delivering satisfying stories with the characters they already have. For instance, in “The Penguin,” Batman’s absence was explicitly stated, yet it did not affect viewership. The show’s quality improved because the audience wasn’t waiting for Batman’s appearance; instead, they were fully engaged with the characters presented.
In Peacemaker, despite the grand characters making an appearance, it was a comedic twist, not a highly anticipated or expected event. This aspect is crucial as it keeps the viewers engaged solely in the unfolding storyline. They aren’t constantly checking the clock or anticipating a more intriguing character to appear before the episode concludes. Even when there are suggestions of other characters joining, The Penguin becomes more captivating due to his absence.
The Penguin Is The Roadmap For Future Projects
In contrast to discussing MCU television series, it seems more accurate to say that these shows often create a sense of anticipation, with viewers constantly expecting major plot twists or surprise appearances. This is evident even in shows like “Wandavision,” which boasted notable stars like Wanda and the Vision. The significant revelations within the show, such as the return of Quicksilver, were particularly surprising. This trend was especially noticeable in “Agatha All Along.
The entire series appeared to be building towards the possibility of Mephisto’s appearance, given that the show revolved around magic and supernatural or malevolent forces. There was also a considerable amount of anticipation surrounding the “will they or won’t they” of whether Death would unveil itself. However, when it finally did appear, it seemed less thrilling than expected as many viewers thought the series had been leading up to this moment.
As Death eventually made its entrance, it was a swift moment followed by a continuation of events, disregarding the anticipation and murmurs. And absentee Mephisto left the production seeming disappointing to many.
Marvel ought to focus on developing shows that don’t solely rely on anticipation for larger characters or more screen time in movies. Instead, they should create standalone series, such as Hawkeye, which focuses on a single character and their storyline without relying heavily on future events. In essence, Marvel needs to produce more stories like that of The Penguin, where the narrative is self-contained and not overly concerned with what’s coming next. By continuing to create such series, even if initial audience analytics suggest otherwise, Marvel can eventually prove their approach correct.
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2024-11-21 03:06